![[PS5] Review of Choice of Life: Wild Islands](https://www.nogameover.net/wp-content/uploads/2025/07/PS5-Review-of-Choice-of-Life-Wild-Islands-360x180.jpg "[PS5] Review of Choice of Life: Wild Islands")
On October 15th, the gaming world lost a remarkable talent with the passing of Michael “Mynki” James Brennen after a courageous battle with cancer. Renowned for his pivotal role at Digital Extremes, Mynki’s legacy is immortalized through his work as the inaugural art director for the popular online game, Warframe. Despite leaving the company in 2017, his creative vision continued to echo throughout the game’s artistry and theme—a quality that Warframe has never fallen short of.
Video games are the product of countless hours poured in by hundreds, sometimes thousands, of dedicated individuals. However, some people manage to carve a unique niche for themselves within these projects. Not by flaunting auteur-like control, but by providing indispensable insight, inspiration, and stability—the cornerstone of any creative endeavor. According to the heartfelt tribute by Digital Extremes during a recent Devstream, Mynki was one such remarkable figure.
Just last month, I had the chance to sit down with game director Rebecca Ford and Kat Kingsley to discuss Warframe’s upcoming features, like the new relationship system. Yet, amidst talks of the future, I couldn’t help but delve into the memories of working alongside Mynki, and the challenge the team now faces with his absence. Ford’s recollections offer a glimpse into the profound ways a single developer can influence a titan in the MMO industry.
Rebecca Ford reminisced, “What everyone keeps coming back to is his humility and grace. From my very first day at Digital Extremes, I witnessed Mynki’s artistry and kindness firsthand. It was my first experience observing someone with such skill who was just as amazing as a person. Whether it was pen to paper or stylus to tablet, he had an undeniable knack for creativity.”
“I experienced the transition of Digital Extremes from a traditional game studio, particularly during the nascent stages of Warframe’s development. Discussing plans with Steve and Geoff, they’d often say, ‘oh, Mynki will craft some Warframes.’ I was taken aback, thinking, the game is literally called Warframe—how could he just make some? Yet, astonishingly, within months, I saw the team rally around Mynki’s vision and bring the flicker of an idea to vibrant life,” Ford added.
“The way the world responded to his work taught me about gratitude in a way that nothing else ever will,” she reflected. “Those interactions were invaluable.”
Some fans might not realize that Mynki, who left the company after 14 years, still influenced Warframe long after his departure. Leaving a company usually means moving on, but this wasn’t the case for Mynki. Ford revealed that he continued to inspire, even shaping some of the content coming out seven years after his exit.
“Mynki and the team stayed in touch, particularly as new leadership roles came into play,” Ford explained. “Reaching out to him about new ideas—like a faction in the ‘Man in the Wall’ or Warframe 1999—proved invaluable. The very concept of Warframe 1999 wouldn’t exist if not for discussions with Mynki.”
“He may have been physically distant from the Warframe project, but for the last 2 to 3 years, I’d still find myself having regular chats with him. We eagerly discussed everything from an infested boy band to ideas for Warframe designs. His loss is immeasurable,” she shared passionately, “it’s hard to express just how vital he’s been through every stage of Warframe’s journey.”
Ford encapsulated Mynki’s unyielding appreciation for art’s eccentricities: “Sometimes, people thought his ideas were too out there, and that was okay with him. Mynki embraced it.”
In fact, his influence seems boundless, bolstered by a single document brimming with concepts and creativity’s traces from the late artist. Ford emphasized, “In conversations with Kary Black, our current art director, Mynki left behind this document—a reservoir of inspiration. As long as Warframe thrives, that document will serve as an endless well of creativity and guidance.”
Reflecting on his enduring presence, it’s crucial to recognize that video games are, after all, touched by the human element. While players engage with ever-expanding universes and characters, it’s easy to overlook the people whose passion fuels this escape. A select few long-time Warframe enthusiasts might grasp Mynki’s contribution, yet only those who shared a workspace with him truly comprehend the indelible mark he’s made.
Ford illustrates this beautifully, “Discussing concepts like a romance system makes me realize we’re just beginning to explore Warframe’s potential. In my early years at Digital Extremes, I was a young community manager, fascinated by fashion, and Mynki was always willing to listen and engage—even amid his busy days.”
Holding an Alexander McQueen book, Ford recalls approaching him, hoping not to intrude. “To my surprise, he was already contemplating high fashion’s role within the game. Our exchanges laid the groundwork for something special, and I felt seen and inspired. He took the time and enthusiasm to delve into these discussions, validating my youthful passions.”
Mynki’s influence, in all its vastness, continues to be embedded in Warframe. His legacy speaks volumes, not just in the game itself, but through the colleagues he inspired and the countless lives he touched.
